During his 3-month long residency with the Beirut Art Center, Mohammad Berro has been continuing his research into the violent limitations and dark underbellies of key liberal values, and examining the exclusions formed by such promises. Building upon his 2019 film What Side on Earth Do I Work For? which exposed the vacant performativity of the notion of transparency, he expands his critique to notions of personal freedom and private property, by looking at two seemingly distant enclosures.